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Best selling releases

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  • Speed Run

    FFLP03

    Artist: Rigas den Andre

    Label: Flora & Fauna

    Second full length album from skweee pioneer Rigas den Andre.

    Comes in a limited edition on two seven-inch singles.

  • Soft Machine

    MXS030

    Artist: Bruno Marini Trio

    Label: Maxy Sound

  • Borta Som Atlantis

    FFS11

    Artist: Parken

    Label: Flora & Fauna

    Third single from Parken's sophomore album.

  • Framtiden Var Här

    FFCD29

    Artist: Parken

    Label: Flora & Fauna

    Parken's second album.

  • Annas Sång

    FFS10

    Artist: Parken

    Label: Flora & Fauna

    Second single from Parken's upcoming album "Framtide Var Här". Out in stores 29/9.

  • Who Is This America?

    RAD-158

    Artist: Antibalas

    Label: Ropeadope

  • Bewildered Herd

    RAD-159

    Artist: The Dead Kenny G's

    Label: Ropeadope

  • Ser Du Stjärnan I Det Grå?

    FFS09

    Artist: Parken

    Label: Flora & Fauna

    Den sjätte oktober släpps Parkens andra album, Framtiden Var Här. Första smakprovet släpps
    den 12:e maj i form av singeln "Ser Du Stjärnan I Det Grå?". I Sommar kan du se Parken på
    kulturhusets tak den 17:e juni och på Emmabodafestivalen.

  • By My Side

    RCL001

    Artist: Rita Colantonio

    Label: Maxy Sound

    Pisces ascendant Capricorn! Always suspended between the need to dream and the necessary rationality. Balance and conflict. Emotion and disillusion. Harmonies and dissonances, rhythms and syncopations. A soft and captivating swing. That's Rita Colantonio in " By My Side"

    Pesci ascendente Capricorno! Perennemente in bilico tra l'esigenza di sognare e la necessaria razionalità. Equilibrio e conflitto. Sentimento e lucido disincanto. Armonie e dissonanze, ritmi e controtempi. Swing delicato ed accattivante. E’ Rita Colantonio in “By My Side”.

  • Kosovo

    RAD-1121

    Artist: Clay Ross

    Label: Ropeadope

    In early 2006 I participated in a six-week tour of the Balkans with my co-led Brazilian Jazz group "Agora Quartet." This was part of the "Rhythm Road," a US State Department program run by Jazz at Lincoln Center and one of my first extensive tours abroad. We traveled to multiple cities in Greece, Turkey, and Macedonia including Istanbul, Athens, and Skopje. We also spent time in the "autonomous province" of Kosovo, one of the most intensely disputed territories in the region.

    Kosovo made a huge impression on me with its passionate people and history of war. With bombed out buildings and memorials at every turn the streets carry the sting of a slow healing wound. I found people guarded, but willing to share heart wrenching stories of injustice, betrayal, murder, and recycled grudges held over generations.

    An Albanian driver confessed that he felt "Serbian people are animals, nothing more than wretched street dogs." His conviction left me convinced of the depths of his anger. This was a difficult sentiment for me to understand. It made me wonder, "How can I help this man?"

    Luckily, I met others with more humanitarian attitudes. In the conservatories, young musicians filled me with hope. In spite of their hardships they gravitated towards free thought, optimism, and art. Like flowers in a dried up desert, they were thirsty for fresh ideas, new energy, and growth. In our exchange we shared a connection, oneness, and purpose through music.

    We can help others con...

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