" I started the recordings in Sjöbo, a small village outside the little bigger Ljusdal in Hälsingland up north. I rented an Adat recorder and whent up there in the middle of September -94 to the cabin that I share with my brother. I stayed for a month and recorded. Seven channels with guitar and one channel for the sequenser. Two microphones; one Shure SM58 and a condensor micerophone. A 30W Marshall Artist and some dist.boxes. An electric bass Höfner from 1963, my brothers. Yamaha SPX90 & 900fx + one DX7 and eight TX7 synthesizers. One 386 PC with Voyetra sequenser plus Golden programme. My intension was to stay for two weeks, but I couldn't go home, I enjoyed it too much, I had a super nice time, and fun. In the beginning of summer 1995 I went to Koppom with my car packed once more. After a couple of days, Hassan - Jembe, Jörgen - Drums and Patrik - Bass joined me. I preffered real drums and bass instead of the synthetic instruments.
Anders and I mixed and trixed with effects and defects until we were satisfied. Together with Eva and Nikolaj we named the tunes in English so that also our foreign friends would understand a small amount of what it is all about." Kenny Håkansson

After Kenny had left Kebnekajse he continued to explore the Swedish folk music in his own way. He recorded this album by himself at his home i Norrtälje 1977-78. It is sound on sound, a wall of quitars...