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  • 3 years in the making, Atrium Carceri is back with another visceral masterpiece entitled Souyuan.
    After careful psychological observeration of test listeners, Simon Heath has done it again - renewing the genre through careful planning and painstaking attention to each fragment and detail, however minute. With fresh atmospheres, and a depth previously unfathomable, Souyuan will amaze initiates and pundits alike with its complexity and pureness of form. Never before has the artists innermost recesses been so sublimely conveyed to any medium.

    Simon, born in 1977, started producing when he early on played around with his Amiga and a microphone. In the years that have followed, Simon got involved in numerous projects and developed his knowledge and skills. During the process and through the years, he has been part of writing 16 albums and additionally many other tracks on compilations and other albums, released under various names, touching a broad range of ambient, dub, IDM, psy, folk, medieval, classical and black ambient. Simon is known for having reached a very high level both in story telling and production technique.

    Atrium Carceri has been praised by music critics and embraced by a cult audience for its depth of atmosphere. As described by one eviewer, "Heath creates a world where time collapses, where the ancient world of conjured spirits, the physical limitations of being all too human, and the infinite outreach of potential futuretech, all coexist.


  • The fourth album from composer Simon Heath (Sweden) ventures beyond the vestiges of your mortality, granting a fleeting glance at the world beyond the veil. As ever, Simon has reinvented the genre as well as himself with a unique ambience created from his ever-increasingly complex and obscure techniques of mental dissolution and musical innovation.

    Atrium Carceri emerges from the vapours with yet another stunning release entitled Ptahil (fetahil). The obsidian citadel stands stoic, its forceful gaze forever over streets running rampant with the councils bidders, while the citadel of glass attracts the mindless reincarnates grasping at anything physical while their memories slowly burn away in the womb of their eternal home. The comforts of quiet lives forever washed away by a miasmic tidal wave of necrotic flesh, sagging, protean forms and the chill of the grave.This is a place where steel rusts and is forgotten, where flesh and the fleeting forms it inhabits are forever changed. Ptahil sees all, and forgets naught. Let your mind be stripped to the pulpy, undulating core with this darkened voyage into domains both dreadful and serenely beautiful.


  • Beyond the malignant jail cells and narrow asylum walls, our hidden tormentors laugh at us from a world of smoke and mirrors. Kapnobatai, the third installment from Atrium Carceri, ventures further still into the wretched world beyond the place we so resignedly inhabit, and into the sublimely unkown. Shattered yet enlightened we are thrust forcefully through the illusion of our making, to the ancient sprawling city that is the one true testament to human achievment. The visions of the Kapnobatai (those who walk in smoke) are seen, heard and felt in this genderbending and exquisitely detailed black ambient album from philosopher/visionaire/composer/artist Simon Heath. This is a place of ancient machines, rusty walls and whispered sighs. With lavish attention to detail this profound composition of the mind wrests the listener away from the mundane, perchance never to return.


  • Seishinbyouin is the second album from Atrium Carceri, and drags the listener on a violent journey through haunted mental asylums, ripe with the cries of the lost and the damned