Best selling releases
-
Walk Into The Fire
Ida Long
-
Reborn
Neo
-
Evolution
System
-
Boss For Leader
Slagsmålsklubben
-
Alert
Green Pitch
-
Awake
Green Pitch
-
Visions of the End
Bosse
-
Sea of Infinity
Mare Infinitum
-
Negation of Life
In Loving Memory
-
DEMO Master
Aleah
-
Reaping the Demo(n)s
Sacrilege
-
Silbergrauer Staub
ANTLERS MULM
-
Septem
Black Flame
-
Mustan Auringon Riitti
Nattfog
-
Farväl Gullmarsplan
Alexis Weak
-
Till Minne Av
Alexis Weak
-
EP Phone Home
Lonehill Estate
-
The Nordic Sound (192kHz)
2L audiophile reference recordings
-
Every Nook and Cranny
Anchorless
-
Make Do & Mend - Volume Two
Selections By Demdike Stare
Best selling songs
-
Du är allt instrumental
Sonja Aldén
-
Lonely-Lonely
The Narrow
-
Keep Ballin feat. Daniel Dermes
Kocky
-
Vipp-på-rumpan-affärn
Framförd av Petra, Kristian och Anders
-
O Gud ge mig frid
Stella Lagnefors
-
When everybody knows
Stella Lagnefors
-
Sommaren med Göran, mix,
Jimmy Lagnefors
-
Coupe d'europe à Geoffroy Guichard
Jacky Chalard
-
Made In America (Extended Version)
Jacky Chalard
-
Superman Supercool (Extended Version)
Jacky Chalard
-
Första Svensken i Rymden (Radio Edit)
Alexis Weak
-
Open Sky
Aleah
-
Breathe
Aleah
-
Melodifestivalen (The Theme)
The Attic
-
Wash Away
Hanif
-
Vi
jj & jr
-
Fifteen Minutes
Oh My!
-
Camping
Detektivbyrån
-
Kommer Ifrån (Instrumental)
Snook
-
Bang
AKA feat. Khuli Chana
-
“I was after a different sound and as well as a different way of working when forming the idea for 'Love Is Not Pop'. The songs were mostly written during a stay in Paris in October last year and it was around this time I got in touch with Rasmus Hägg from the Swedish duo Studio. I've been a huge fan of Studio ever since I heard their early releases and me and Rasmus had been talking about doing something together before but time had never really been on our side - until now. The initial idea was actually for him to make a remix of one of the songs on the album but after having given the whole thing some thought both he and I thought it would be even more interesting and challenging to have him co-produce it together with me. We had long talks about the sound and feel of the album. I knew I was after the bassy and percussive mystic groove that is one of Rasmus specialities and I explained to him that I was ready to let him just do his thing. Funnily enough I had just caught him in the making of his solo album and he couldn't stop talking about using acoustic guitars and live drums. Rasmus had just started playing drums and really wanted to use live drums only on the record. After hearing his first recordings it didn't take him long to convince me it was a great idea. Rasmus plays all guitars, bass and drums on the record. It's beautiful, how we'd met in a time where both of us were looking for something new, something different than what we'd done before. It just happened ...
-
-
I wanted to make something as unfashionable as an album in the classic sense of the word – in terms of its composition and the idea of a theme. The theme itself was initially something as simple yet complex as heaven and it led me into a wide and seemingly endless search for a means, a language in which to express myself. Although during this time I was, even though I mostly didn't realize it, following a certain train of thought – that of love, grief and loss, solace and hope, deepest despair and wildest childish euphoria – to the lowest and the highest of heights.
In many ways one could say that 'From the Valley to the Stars' is created out of an intellectual idea – the music turned up only after the language, the literary as well as the harmonic, was created. And at that moment it was as if the music did not belong to me. As if someone else had written it. In some strange way I felt as if it had existed all along. Somewhere. In the ground? In the heavens? Just like when you start humming a tune you're not sure where you picked up or where you heard it before. This is the way I think that which we often call 'folk music' works – like timeless melodies striking something deep within us; from deep down in the soil, from high up in the sky.
Now I am not saying that my idea was to make folk music, but I was searching for that timelessness; the grand mystery of it all that has been ringing within our hearts since the beginning of time. I wanted to make something that in its...
-
How Did We Forget is the first single taken from El Perro del Mar's forthcoming album From the Valley to the Stars. The b-side is the wonderful and exclusive You Hit Me (It's a Crying Shame).
Staff picks
-
Helvete
Riddarna
-
Hela Din Värld
Spark!
-
Live
Zanussi Thirteen
-
Lixiviation
Suzanne Ciani
-
A West Side Fabrication Scandinavian Indie Vol 2 Now & Then
Various Artist
-
Walk Into The Fire
Ida Long
-
Shadows
The New Division
-
Flickorna på klubben
Le Muhr
-
Vi
jj & jr
-
Stekt orm
Gamla Pengar
-
Eksie Ou
Jack Parow
-
Into Nothing
Thirteenth Exile
-
white magic epilogue
ceo
-
The Beat and the Melody
OK Star Orchestra
-
Harduingetmankandansatill?
bob hund
-
Asleep Awake Alert
Green Pitch
-
In Dark Woods EP
Ida Long
-
Jul på jazzvis
Mathias Landaeus Trio
-
High in the Lowlands
Mattias Hellberg
-
As We Plz EP
Lissi Dancefloor Disaster
Just added
-
Oppression
Bruno From Ibiza
-
One More
Rickzor & Rumme
-
Monolog EP
8kHz Mono
-
Elementawerk
David Orphan
-
Till hans namn ska folken sätta sitt hopp
Gemenskap
-
Feelin' Allright
Rickzor & Rumme
-
Stolen Angel
Ferial Harley with Michael Colley
-
Broken Lifeforms
Appleseed
-
Circadian Rhythm Disturbance Reconfigured
Lull & Beta Cloud & Andrew Liles
-
Gott Mit Uns
Kreuzweg Ost
-
The Ghost Machine
Heldentod
-
Another Round Please
Rendezvous
-
My Slave
Fillip Williams
-
The Black Cat EP
M.U.S.E.
-
Starlight EP
Aphonic Oracle
-
2d Body
Massive Boyz & Pako C & Alex P
-
Stress EP
Gain
-
Helvete
Riddarna
-
Every Nook and Cranny
Anchorless
-
Transitions
Maurizio Miceli


