EN SE DE
  • The music on this release is from live performances at two venues (Roulette and The Knitting Factory) spanning the years 1995-98.

    "What is multi-dimensional drumming? After dealing with polyrhythms, I began to hear layers of sounds and rhythms. Divided into many parts and facets, the drum set and secondary instruments I use and play are all aspects of the drums. In the future, there will be many changes and developments in the area of the mind – so what we (humankind) think and hear, is what we shall see and hear. In order to play the drum set you must be able to manipulate four or five things at one time (i.e. bass drum, snare drum, high-hat, ride cymbals and maybe voice). So an instruments name and structure doesn’t stop me from playing them like a drum. You have instruments that are structurally different from the drum, but they have the same characteristic in the approach to the drum (i.e. piano, balaphone and shoes with taps). In order to find the music of the drums, I had to change my assumptions and beliefs about music in relation to the drums, which is sound in the creation of multi-rhythms. In the liner notes I will try to explain the music on this CD, from the instruments I am playing, to the structure of the improvisation.

    The chiramia is a wind instrument. It is played with a double reed. Mine have six stops (some have three, four and two). They are from Mexico. To me, the chiramia is my voice synthesizer. In Mexico, some musicians play it along with thei...