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  • Soviac has developed into a cold, blue laserbeam, which is a completely logical evolution since the only thing that's constant in Soviac's universe is their unwillingness to compromise.
    Thats why it's as natural for them to use the producer Johan Gustavsson (Producer of Randy, The Hives, Sahara Hotnights albums) at Studio Gröndahl for "Hello Bunny" (released by I Made This/V2 in Scandinavia in April 18th 2008).
    Together they've created a mix between luxurious rock aswell as dirty electro. Distorted guitars bounces against thick synthbass-lines and drumsamplings that works well both in the rockclubs and on the dancefloors.
    Assuming this new album "Hello Bunny" grew out of the same entity that started the forest fire in the first place is not too mind bending. The question is: where will Soviac go next?


  • In the beginning Soviac’s music was more or less like a raging forest fire which ruthlessly consumed everything possible in its way, and would have forced even the most hardened firefighter to retreat into retirement. Tight melodies, sprawling guitars and unruly, often howling, vocals distinguish Soviac’s sound.

    Their first album GMC Out In The Fields (released in 2001) is perhaps the most stirring and at the same time captivating album a Swedish rock band has ever produced. But something else happened along the way. Soviac discovered the synthesizer. The cross-fertilization between a guitar and a synth is not always succeeding, but in Soviac’s case, it gave the following album Trilogy Sexlife Rodeo Friscotti (released in 2003) a completely unique sound. It was obvious that fire had mutated and shapeshifted; the energy was constant, but the rage had diminished so Trilogy Sexlife Rodeo Friscotti showed Soviac as a controlled bombastic explosion.

    Every action has its reaction. If Trilogy Sexlife Rodeo Friscotti was an explosion, the new album Hello Bunny is an implosion, created from the vacuum caused by the predecessor. It’s been a long time since Soviac’s music was that untamed forest fire. Now it has developed into a cold, blue laserbeam, which is a completely logical evolution since the only thing that’s constant in Soviac’s universe is their unwillingness to compromise. Thats why it’s as natural for them to use the producer Johan Gustavsson (Producer of Randy, The...


  • Hell Yes! Soviac are back to destroy nusic guidelines and kids hearing all over the world. This is the highly anticipated 2nd album by the most creative band today in Sweden. This album will take them to the top of the noise-food-chain. After the impact of GMC Out in the fields alot of people have been wondering what the´ll come up with next. They came up with a sort of a triology, each member of the band have produced their own part of this album, giving it an extraordinary sound and diversity. Here we everthing from new wave electro hits to Shellac smelling monster truck riff madness. What was "hard" on the last album is bonecrushing this time and what made you dance on the last one is directly dangerous for your body on this one.


  • In the beginning Soviac’s music was more or less like a raging forest fire which ruthlessly consumed everything possible in its way, and would have forced even the most hardened firefighter to retreat into retirement. Tight melodies, sprawling guitars and unruly, often howling, vocals distinguish Soviac’s sound.

    Their first album GMC Out In The Fields (released in 2001) is perhaps the most stirring and at the same time captivating album a Swedish rock band has ever produced. But something else happened along the way. Soviac discovered the synthesizer. The cross-fertilization between a guitar and a synth is not always succeeding, but in Soviac’s case, it gave the following album Trilogy Sexlife Rodeo Friscotti (released in 2003) a completely unique sound. It was obvious that fire had mutated and shapeshifted; the energy was constant, but the rage had diminished so Trilogy Sexlife Rodeo Friscotti showed Soviac as a controlled bombastic explosion.

    Every action has its reaction. If Trilogy Sexlife Rodeo Friscotti was an explosion, the new album Hello Bunny is an implosion, created from the vacuum caused by the predecessor. It’s been a long time since Soviac’s music was that untamed forest fire. Now it has developed into a cold, blue laserbeam, which is a completely logical evolution since the only thing that’s constant in Soviac’s universe is their unwillingness to compromise. Thats why it’s as natural for them to use the producer Johan Gustavsson (Producer of Randy, The...