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They call themselves a "diva-like duo". Mosh Mosh practises
electronic music as self-empowerment, based on the meaning of "maid´s-room" style scenarios as a space of specific political education: queer theory and gender developing out of crochet tips, knitting patterns and horse posters. These two glamorous ladies represent a form of feminist anti-thesis, proving that riot-girlies are not dead but as manifold as ever.
Remixes by Lesbians On Extacy, G.Rizo, Knarf Rellöm Trinity. Guests include Miss le Bomb, Bird Berlin and Gena Rowlands. Producers include Heidi Mortenson and Hiltmeyer Inc.
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Gay Robot Lovers aka Chez Debs and Heidi Mortenson have created two remixes or covers if you like, of F.R. David’s wellknown hit of the 80s “Words, don’t come easy”.
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Art Work by Cathrine Colding Haugerud
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Remixed by Heidi Mortenson. Original by Lise Westzynthius.
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www.nosnetrom.net | www.westzynthius.dk
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'The level is high, a new kind of technopop where solid song writing is a deed and pervaded with a pioneer spirit' Geiger
'Nocturnal, original, and in many cases very funny and truly creative as only mutant pop knows how to be' All Music Guide
'The girls are back! An energetic and very urban record' Buscate Un Novio
'Exellent. The Wired Ones presents criminals of Electro-Punk without writing female, girl or woman all over it' Groove
'For fans of the electronic vanguard underground' All Music Guide
'You would be a wretch if not to be catched by this disc a sweaty saturday night' Undertoner
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Cover Art Work by Sardine Animal.
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Using her much-adored non-general midi yamaha keyboard, Miss le Bomb presents us with the rakehand dance, a new step to the beat. A bum-wiggling selection of danceable mutant pop, messy disco and girl garage with absurd yet socially-concious lyrics. This pop ain't for everyone, only the sexy people so all you fly mothers come on out there and dance the rakehand dance.
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Mortenson yet again with an exiting odd and experimental record with a peculiar pop feel. Catchy and challenging. Layers of color and expression wrapped together in a labyrinth where every sound has it's place. A trip to hawaii via a sleepless night in the city.
'the finest Electrosoul. This is crazy groovy' Intro
'a full listening experience' Popmatters
'there's a schizophrenic charm in the way Mortenson layers reverbed moans, giddy squeals, goofball catcalls, wiry pitch-bent steel guitar, 80s hiphop mouth bass, cartoon sound FX, and the whole of the kitchen sink' Popmatters
