Mortenson yet again with an exiting odd and experimental record with a peculiar pop feel. Catchy and challenging. Layers of color and expression wrapped together in a labyrinth where every sound has it's place. A trip to hawaii via a sleepless night in the city.

'the finest Electrosoul. This is crazy groovy' Intro
'a full listening experience' Popmatters
'there's a schizophrenic charm in the way Mortenson layers reverbed moans, giddy squeals, goofball catcalls, wiry pitch-bent steel guitar, 80s hiphop mouth bass, cartoon sound FX, and the whole of the kitchen sink' Popmatters

'Sultry, silly, soulful, playful, gender-bending, pop experimentalist... Heidi Mortenson is all this and more' 8 out of 10 dots. Popmatters

'Who else has managed to record an album which sounds like someone fiddling around with a dodgy radio while simultaneously pouring milk onto Rice Crispies... AND still sound good !!?' Electronic Beatz

'Don't Lonely Me is part beat-chemist's work and punk bravado with a clear nod to Peaches' sexy, campy romps' XLR8R

'Mortenson is winking to Madonna in a clever sound collage and it's damn irresistible!' Groove

'Heidi Mortenson is nothing short of a genious.. and I don't use the word genious lightly' Electronic Beatz

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Guest vocals by Kevin Blechdom (04) and Monotekktoni (07)

'An exiting and alternating electronic album, heidi's talent is clear and versatile' Geiger

'Breathing, organic, orgasmic..' Boys In Babeland

'Wired Stuff is an album that does all-too-good a job of making you feel you've met your match' Popmatters

'In a musical field of exitement between CocoRosie and Autechre, and Heidi Mortenson surely has listened to PJ Harvey and probably also disposes over a solid collection of electro records' Gaffa

'Hechel, hechel, Glitch, Orgel, Beat. Die ersten Takte, und I'm a slave 4 U. Heidi!' Intro

'Musically, it's a cacophony of machines, electro-pulses, and static that Mortenson just barely has under control' Popmatters

'A musical span of international class' Undertoner